{"id":611,"date":"2015-11-15T03:30:06","date_gmt":"2015-11-15T03:30:06","guid":{"rendered":"http:\/\/repeatright.com\/engine\/?p=611"},"modified":"2018-10-08T20:23:00","modified_gmt":"2018-10-08T20:23:00","slug":"anaya-rudolfo","status":"publish","type":"post","link":"https:\/\/www.repeatright.com\/engine\/anaya-rudolfo\/","title":{"rendered":"ANAYA, Rudolfo"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row css=&#8221;.vc_custom_1453315804311{margin-top: -40px !important;border-top-width: 0px !important;padding-top: 0px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_tta_tabs style=&#8221;modern&#8221; shape=&#8221;square&#8221; active_section=&#8221;1&#8243;][vc_tta_section i_icon_fontawesome=&#8221;fa fa-book&#8221; add_icon=&#8221;true&#8221; title=&#8221;Citation&#8221; tab_id=&#8221;1449531588223-e020d87d-f7dd094f-cf633433-1751&#8243;][vc_column_text css_animation=&#8221;none&#8221;]\n<blockquote><p>\u201cDon\u2019t just tolerate people, love people. All good flows from that.\u201d<\/p><\/blockquote>\n<p style=\"padding-left: 30px\">~<strong>Rudolfo Anaya<\/strong>, American author<\/p>\n<p style=\"padding-left: 60px\">\u201cDeep Roots: or, We Have Been Here a Long Time\u201d (Spring 1997) <em>ANQ\u00a0<\/em>(<em>American Notes &amp; Queries<\/em>), Volume 10, No. 2, p. 10-11, New York: Taylor &amp; Francis, p. 10; online via Academic Search Premier, EBSCOHost [library service\/subscription fee]\n[\/vc_column_text][\/vc_tta_section][vc_tta_section i_icon_fontawesome=&#8221;fa fa-plus-circle&#8221; add_icon=&#8221;true&#8221; title=&#8221;Context&#8221; tab_id=&#8221;1449531588755-96303790-852e094f-cf633433-1751&#8243;][vc_column_text css_animation=&#8221;none&#8221;]\n<p><strong><em>Extended excerpt\u00a0<\/em><\/strong> [Essay]:<\/p>\n<p>\u201cThe political power flows from the people, and it will come. But why wait to be forced to see the many-colored Hispanos\/Latinos who are now already neighbors? Let\u2019s invite people to look at the art, read the stories, smell and savor the food, dance to the music, understand and acknowledge that there are many Americas, many communities, not just one. And let us put the fear of each other aside. <span style=\"color: #003380\">Don\u2019t just tolerate people, love people. All good flows from that.<\/span>\u201d (p. 10)<\/p>\n<p style=\"padding-left: 90px\"><em>\u00a0<\/em><\/p>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section i_icon_fontawesome=&#8221;fa fa-search&#8221; add_icon=&#8221;true&#8221; title=&#8221;Source ISSN&#8221; tab_id=&#8221;1449531589797-29580b31-8c50094f-cf633433-1751&#8243;][vc_column_text]\n<p><span style=\"color: #cc7a00\"><strong><em>Source<\/em><\/strong><\/span>: ANQ (Spring 1997) online via Academic Search Premier, EBSCOHost, ISSN: 0895-769X[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_tta_tabs style=&#8221;modern&#8221; shape=&#8221;square&#8221; active_section=&#8221;1&#8243;][vc_tta_section i_icon_fontawesome=&#8221;fa fa-book&#8221; add_icon=&#8221;true&#8221; title=&#8221;Citation&#8221; tab_id=&#8221;1453315829087-ce67c619-0fbc3433-1751&#8243;][vc_column_text css_animation=&#8221;none&#8221;]\n<blockquote><p>\u201cIt seemed that the more I knew about people the more I knew about the strange magic hidden in their hearts.\u201d<\/p><\/blockquote>\n<p style=\"padding-left: 30px\">~<strong>Rudolfo Anaya<\/strong>, American author<\/p>\n<p style=\"padding-left: 60px\"><em>Bless Me, Ultima<\/em> (1972) Berkeley, CA: Quinto Sol Publications, p. 101<\/p>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section i_icon_fontawesome=&#8221;fa fa-plus-circle&#8221; add_icon=&#8221;true&#8221; title=&#8221;Context&#8221; tab_id=&#8221;1453315829475-7c82a017-1e623433-1751&#8243;][vc_column_text css_animation=&#8221;none&#8221;]\n<p><strong><em>Extended excerpt\u00a0<\/em><\/strong> [Fiction &#8211; Narrator &#8216;Antonio&#8217;]:<\/p>\n<p>\u201cMy father knows Narciso,\u201d I said. The story Cico had told me was fascinating. <span style=\"color: #003380\">It seemed that the more I knew about people the more I knew about the strange magic hidden in their hearts.<\/span>\u201d (p. 101)<\/p>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section i_icon_fontawesome=&#8221;fa fa-search&#8221; add_icon=&#8221;true&#8221; title=&#8221;Source ISBN&#8221; tab_id=&#8221;1453315829682-63e8fade-cf4c3433-1751&#8243;][vc_column_text css_animation=&#8221;none&#8221;]\n<p><span style=\"color: #cc7a00\"><strong><em>Source<\/em><\/strong><\/span>:\u00a0 Library \u2013 <em>Bless Me, Ultima<\/em> (1972) International Standard Book Number (ISBN): 9780892290024[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n<h4 class=\"section-title\">Resources<\/h4>\n[\/vc_column_text][vc_column_text css_animation=&#8221;none&#8221; el_class=&#8221;Wrapper-Author-Resources&#8221;]<span style=\"color: #b04b04\"><strong>Learn more about Rudolfo Anaya<\/strong><\/span> | Here are a few good places to find out more &#8211;<\/p>\n<ul>\n<li>\u2018<strong>Rudolfo Anaya<\/strong>\u2019|<strong>National Endowment for the Humanities<\/strong> \u2013 National Humanities Medalist profile page, by English professor Rigoberto Gonz\u00e1lez:<a href=\"https:\/\/www.neh.gov\/about\/awards\/national-humanities-medals\/rudolfo-anaya\" target=\"_blank\"> https:\/\/www.neh.gov\/about\/awards\/national-humanities-medals\/rudolfo-anaya<\/a><\/li>\n<li>\u2018<strong>A Conversation with Rudolfo Anaya<\/strong>\u2019 (2009) Video directed by Lawrence Bridges, \u201cThe Big Read,\u201d National Endowment for the Arts \u2013 Anaya discusses writing and his novel <em>Bless Me, Ultima<\/em>; (video &#8211; 9:17 minutes) via YouTube: <a href=\"https:\/\/www.youtube.com\/watch?v=LRF6vNzjSTU\" target=\"_blank\">https:\/\/www.youtube.com\/watch?v=LRF6vNzjSTU<\/a><\/li>\n<li>\u2018<strong>NEA Big Read: Bless Me, Ultima<\/strong>\u2019|<strong>National Endowment of the Arts<\/strong> \u2013 Resources include a book overview &amp; list of discussion questions, \u2018About the Author\u2019 page, and audio clip of Anaya discussing the book: <a href=\"https:\/\/www.arts.gov\/partnerships\/nea-big-read\/bless-me-ultima\" target=\"_blank\">https:\/\/www.arts.gov\/partnerships\/nea-big-read\/bless-me-ultima<\/a><\/li>\n<li><strong>Inventory of the Rudolfo A. Anaya Papers, 1960-2004<\/strong> | Center for Southwest Research, University of New Mexico, 2005, Collection No. MSS 321 BC, brief biography &amp; collection contents list (As of March 2018, collection material does not appear to be available online): <a href=\"http:\/\/rmoa.unm.edu\/docviewer.php?docId=nmu1mss321bc.xml\" target=\"_blank\">http:\/\/rmoa.unm.edu\/docviewer.php?docId=nmu1mss321bc.xml<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"color: #000080\"><strong><em>Image credit<\/em><\/strong><\/span>:\u00a0ANAYA, Rudolfo (2016) Acrylic on paper portrait by Gaspar Enriquez, Object No. NPG.2016.100, National Portrait Gallery, Smithsonian Institution; commission via Smithsonian Latino Initiatives Pool, Smithsonian Latino Center; via National Portrait Gallery: <a href=\"http:\/\/npg.si.edu\/object\/NPG-B6000210B\" target=\"_blank\">http:\/\/npg.si.edu\/object\/NPG-B6000210B<\/a><\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Rudolfo Anaya<\/p>\n","protected":false},"author":6,"featured_media":5111,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[140,19,167,541],"tags":[530],"class_list":["post-611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-american","category-authors","category-educators-and-childrens-advocates","category-new-mexico-birthplace","tag-professors"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.repeatright.com\/engine\/wp-content\/uploads\/Rudolfo-Anaya.jpg?fit=1200%2C850&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p6YPRD-9R","_links":{"self":[{"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/posts\/611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/comments?post=611"}],"version-history":[{"count":0,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/posts\/611\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/media\/5111"}],"wp:attachment":[{"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/media?parent=611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/categories?post=611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/tags?post=611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}