{"id":4569,"date":"2016-07-11T15:33:24","date_gmt":"2016-07-11T15:33:24","guid":{"rendered":"http:\/\/repeatright.com\/engine\/?p=4569"},"modified":"2018-10-08T19:26:29","modified_gmt":"2018-10-08T19:26:29","slug":"aldington-richard","status":"publish","type":"post","link":"https:\/\/www.repeatright.com\/engine\/aldington-richard\/","title":{"rendered":"ALDINGTON, Richard"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row css=&#8221;.vc_custom_1453315804311{margin-top: -40px !important;border-top-width: 0px !important;padding-top: 0px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_tta_tabs style=&#8221;modern&#8221; shape=&#8221;square&#8221; active_section=&#8221;1&#8243;][vc_tta_section i_icon_fontawesome=&#8221;fa fa-book&#8221; add_icon=&#8221;true&#8221; title=&#8221;Citation&#8221; tab_id=&#8221;1449531588223-e020d87d-f7dd094f-cf633609-202d&#8221;][vc_column_text css_animation=&#8221;left-to-right&#8221;]\n<blockquote><p>\u201cHow could I love you more?<\/p>\n<p>I would give up<\/p>\n<p>Even that beauty I have loved too well<\/p>\n<p>That I might love you better.\u201d<\/p><\/blockquote>\n<p style=\"padding-left: 30px\">~<strong>Richard Aldington<\/strong>, English author<\/p>\n<p style=\"padding-left: 60px\">\u201cPrelude\u201d (1919) <em>War and Love (1915-1918)<\/em>, Boston: The Four Seas Company, 1919, p. 73; online via Princeton University &amp; HathiTrust, <a href=\"http:\/\/babel.hathitrust.org\" target=\"_blank\">babel.hathitrust.org<\/a><\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif\">[\/vc_column_text][\/vc_tta_section][vc_tta_section i_icon_fontawesome=&#8221;fa fa-plus-circle&#8221; add_icon=&#8221;true&#8221; title=&#8221;Context&#8221; tab_id=&#8221;1449531588755-96303790-852e094f-cf633609-202d&#8221;][vc_column_text css_animation=&#8221;left-to-right&#8221;]<\/span><\/p>\n<p><strong><em>Extended excerpt <\/em><\/strong>[Poem &#8211; first stanza]:<\/p>\n<p style=\"padding-left: 30px\">\u201c<span style=\"color: #003380\">How could I love you more?<\/span><\/p>\n<p style=\"padding-left: 30px\"><span style=\"color: #003380\">I would give up<\/span><\/p>\n<p style=\"padding-left: 30px\"><span style=\"color: #003380\">Even that beauty I have loved too well<\/span><\/p>\n<p style=\"padding-left: 30px\"><span style=\"color: #003380\">That I might love you better.<\/span><\/p>\n<p style=\"padding-left: 30px\">Alas, how poor the gifts that lovers give \u2013<\/p>\n<p style=\"padding-left: 30px\">I can but give you of my flesh and strength,<\/p>\n<p style=\"padding-left: 30px\">I can but give you these few passing days<\/p>\n<p style=\"padding-left: 30px\">And passionate words that since our speech began<\/p>\n<p style=\"padding-left: 30px\">All lovers whisper in all ladies\u2019 ears.\u201d (p. 73)<\/p>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section i_icon_fontawesome=&#8221;fa fa-search&#8221; add_icon=&#8221;true&#8221; title=&#8221;Source Link&#8221; tab_id=&#8221;1449531589797-29580b31-8c50094f-cf633609-202d&#8221;][vc_column_text css_animation=&#8221;left-to-right&#8221;]\n<p>&nbsp;<\/p>\n<p><span style=\"color: #cc7a00\"><strong><em>Source link<\/em><\/strong><\/span>: <em>War and Love (1915-1918)<\/em> (1919 Four Seas Co.) online via HathiTrust: <a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=uc1.b4102204;view=1up;seq=77\" target=\"_blank\">https:\/\/babel.hathitrust.org\/cgi\/pt?id=uc1.b4102204;view=1up;seq=77<\/a><\/p>\n[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_tta_tabs style=&#8221;modern&#8221; shape=&#8221;square&#8221; active_section=&#8221;1&#8243;][vc_tta_section i_icon_fontawesome=&#8221;fa fa-book&#8221; add_icon=&#8221;true&#8221; title=&#8221;Citation&#8221; tab_id=&#8221;1453315829087-ce67c619-0fbc3609-202d&#8221;][vc_column_text css_animation=&#8221;left-to-right&#8221;]\n<blockquote><p>\u201cPatriotism is a lively sense of collective responsibility. Nationalism is a silly cock crowing on its own dunghill and calling for larger spurs and brighter beaks.\u201d<\/p><\/blockquote>\n<p style=\"padding-left: 30px\">~<strong>Richard Aldington<\/strong>, English author<\/p>\n<p style=\"padding-left: 60px\"><em>The Colonel\u2019s Daughter<\/em> (1931) London: Chatto &amp; Windus, p. 49<\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif\">[\/vc_column_text][\/vc_tta_section][vc_tta_section i_icon_fontawesome=&#8221;fa fa-plus-circle&#8221; add_icon=&#8221;true&#8221; title=&#8221;Context&#8221; tab_id=&#8221;1453315829475-7c82a017-1e623609-202d&#8221;][vc_column_text css_animation=&#8221;left-to-right&#8221;]<\/span><\/p>\n<p><strong><em>Extended excerpt <\/em><\/strong>[Fiction \u2013 character \u2018Purfleet\u2019 to \u2018McCall\u2019]:<\/p>\n<p>\u201cWhen I say patriotism I mean patriotism and not nationalism.<span style=\"color: #003380\"> Patriotism is a lively sense of collective responsibility. Nationalism is a silly cock crowing on its own dunghill and calling for larger spurs and brighter beaks.<\/span> I fear that nationalism is one of England\u2019s many spurious gifts to the world.\u201d (p. 49)<\/p>\n[\/vc_column_text][\/vc_tta_section][vc_tta_section i_icon_fontawesome=&#8221;fa fa-search&#8221; add_icon=&#8221;true&#8221; title=&#8221;Source ISBN&#8221; tab_id=&#8221;1453315829682-63e8fade-cf4c3609-202d&#8221;][vc_column_text css_animation=&#8221;left-to-right&#8221;]\n<p>&nbsp;<\/p>\n<p><span style=\"color: #cc7a00\"><strong><em>Source link<\/em><\/strong><\/span>: Library &#8211; <em>The Colonel\u2019s Daughter<\/em> (1931) Online Computer Library Center (OCLC) No. 458403689<\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif\">[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/span><\/p>\n<h4 class=\"section-title\">Resources<\/h4>\n[\/vc_column_text][vc_column_text css_animation=&#8221;none&#8221; el_class=&#8221;Wrapper-Author-Resources&#8221;]<span style=\"color: #b04b04\"><strong>Learn more about Richard Aldington<\/strong><\/span>\u00a0| Here are a few good places to start &#8211;<\/p>\n<ul>\n<li><strong>Richard Aldington<\/strong>\u00a0|\u00a0<strong>Poetry Foundation<\/strong> page includes a brief biography and bibliography, plus links to select works: <a href=\"http:\/\/www.poetryfoundation.org\/bio\/richard-aldington#about\" target=\"_blank\">http:\/\/www.poetryfoundation.org\/bio\/richard-aldington#about<\/a><\/li>\n<li>\u2018<strong>Images of War by Richard Aldington, with illustrations by Paul Nash<\/strong>\u2019|<strong>British Library<\/strong> images &amp; brief overview of \u2018Imagist\u2019 poetry: <a href=\"https:\/\/www.bl.uk\/collection-items\/images-of-war-by-richard-aldington-with-illustrations-by-paul-nash\" target=\"_blank\">https:\/\/www.bl.uk\/collection-items\/images-of-war-by-richard-aldington-with-illustrations-by-paul-nash<\/a><\/li>\n<li><strong><em>Images Old and New <\/em><\/strong>(1916) Book of poems by <strong>Richard Aldington<\/strong>; full text available online via HathiTrust: <a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=uc1.$b163179;view=1up;seq=7\" target=\"_blank\">https:\/\/babel.hathitrust.org\/cgi\/pt?id=uc1.$b163179;view=1up;seq=7<\/a><\/li>\n<li><strong><em>Images of Desire<\/em><\/strong> (1919) Book of poems by <strong>Richard Aldington<\/strong>; full text available online via HathiTrust: <a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015030843596;view=1up;seq=7\" target=\"_blank\">https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015030843596;view=1up;seq=7<\/a><\/li>\n<li>\u2018<strong>Death of a Hero Reader\u2019s Guide<\/strong>\u2019 | <strong>Penguin Random Group<\/strong> \u2013 Introduction to Aldington\u2019s fictional <em>Death of a Hero<\/em>, a novel written after Aldington World War I service in the British Army. Aldington suffered from \u201cshell shock\u201d (what we now know as Post-Tramatic Stress Disorder, or PTSD), and the novel provides pointed commentary on the hypocrisy and pseudo-patriotism Aldington perceived in WWI-era England. Page also includes a brief author biography and list of discussion questions for bookclubs &amp; classrooms: <a href=\"https:\/\/www.penguinrandomhouse.com\/books\/310043\/death-of-a-hero-by-richard-aldington\/9780143106876\/readers-guide\/\" target=\"_blank\">https:\/\/www.penguinrandomhouse.com\/books\/310043\/death-of-a-hero-by-richard-aldington\/9780143106876\/readers-guide\/<\/a><\/li>\n<li><strong>Richard Aldington<\/strong> | <strong>The Atlantic<\/strong> \u2013 Aldington\u2019s WWI essay contributions to The Atlantic magazine, \u201cA Soundless River of Peace\u201d and \u201cFor Armistice Day\u201d; online via The Atlantic: <a href=\"https:\/\/www.theatlantic.com\/author\/richard-aldington\/\" target=\"_blank\">https:\/\/www.theatlantic.com\/author\/richard-aldington\/<\/a><\/li>\n<li>\u2018<strong>Richard Aldington: An Inventory of His Collection at the Harry Ransom Humanities Research Center<\/strong>\u2019, University of Texas, Austin \u2013 Index of holdings &amp; brief biography [as of August 2017, holdings did not appear to be available online]: <a href=\"http:\/\/www.lib.utexas.edu\/taro\/uthrc\/00005\/hrc-00005.html\" target=\"_blank\">http:\/\/www.lib.utexas.edu\/taro\/uthrc\/00005\/hrc-00005.html<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"color: #000080\"><strong><em>Image credit<\/em><\/strong><\/span>:\u00a0ALDINGTON, Richard (<span style=\"color: #800000\">PLACEHOLDER image only; no viable CC\/public domain\/right-size image of author located to date. Aldington does *not* appear in the photo shown on this page.<\/span>) Photo: \u201cGas.\u201d Australian troops w\/respirators on posed for the camera in the advance trench, Garter Point, 4th Division\u201d (1918) Frank Hurley\/Australian War Records Section, National Science &amp; Media Museum; Public domain; via National Science &amp; Media Museum, Flickr: <a href=\"https:\/\/www.flickr.com\/photos\/nationalmediamuseum\/3007982262\" target=\"_blank\">https:\/\/www.flickr.com\/photos\/nationalmediamuseum\/3007982262<\/a><\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Richard Aldington<\/p>\n","protected":false},"author":6,"featured_media":5090,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[19,127,146,107],"tags":[474],"class_list":["post-4569","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-authors","category-commentators-columnists-social-critics-and-pundits","category-english","category-poets","tag-veterans"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.repeatright.com\/engine\/wp-content\/uploads\/2016\/07\/Richard-Aldington-Placeholder-1.jpg?fit=1200%2C850&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p6YPRD-1bH","_links":{"self":[{"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/posts\/4569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/comments?post=4569"}],"version-history":[{"count":0,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/posts\/4569\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/media\/5090"}],"wp:attachment":[{"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/media?parent=4569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/categories?post=4569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.repeatright.com\/engine\/wp-json\/wp\/v2\/tags?post=4569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}